-
A Note from the Editor (Nota de la editora)
Elda Nelly Treviño Flores (México)
-
From Charango to Kultrún: The Richness of Chilean Music
Ana Elena Buitrón Romero (México-Chile)
-
A Brief History of Dalcroze Eurhythmics in Guatemala
Ethel Marina Batres Moreno (Guatemala)
-
A Look at Dalcroze Pedagogy through the Works of Ana Isabel Vargas Dengo
Iliana Vindas Chaves (Costa Rica)
-
My Dalcroze Eurhythmics Teaching Experience in My Home Country, Brazil, and Other Latin American Countries. Interview with Iramar Eustachio Rodrigues, Brazil-Switzerland
by Elda Nelly Treviño (México)
-
Moving Up Little By Little: Expanding Dalcroze Eurhythmics Awareness in México
Iris Ramírez Talavera and Margarita Ramírez Talavera (México)
-
How Dalcroze Eurhythmics Has Transformed My Solfège and Ear Training Teaching
Margarita Martínez Mejía (México)
-
Jaques-Dalcroze rhythmic solfège (music reading) courses: a personal experience at Costa Rica’s SINEM (National Music Education System)
Maristela Jiménez Quesada (Costa Rica)